Edmund Turges appears to have belonged to the generation of William Cornysh the elder and John Browne, to have been based in London or Westminster and to have worked for a major choral foundation or for a private patron with access to the inner circle of Henry VII’s court. The technical challenges posed by this very elaborate setting imply that he worked with a choir of exceptional ability. The musical design is effectively shaped and paced, and motivic working enhances its cogency. For five voices: SATBarB. v + 22 pages. 2026. ISMN 979-0-57039-225-4.
